Ethiopia is regularly cited as an African success story by donor nations; the economy is growing they cry, more children are attending school and health care is improving. Well GDP figures and millennium development statistics reveal only a tiny fraction of the corrupt and violent picture in the country.
What development there is depends the Oakland Institute relates, on “state force and the denial of human and civil rights”; the country remains 173rd out of 187 countries in the UN Human Development Index and around 40% of the population live below the extremely low poverty line, of $1.25 a day, – the World Bank worldwide poverty line is $2 a day.
The ruling party, the EPRDF, uses violence and fear to suppress the people and governs in a highly centralised manner. Human rights are ignored and a methodology of murder, false imprisonment, torture and rape is followed.
The ethnic Somali population of the Ogaden in the southeast part of the country, have been the victim of extreme government brutality since 1992. It's a familiar story of a region with a strong identity seeking autonomy from central government, and the regime denying them that democratic right.
In 2013 and again in 2014 I visited Dadaab refugee camp in Kenya and met a number of people who had fled state persecution in the Ogaden. Men and women told of false imprisonment, murder and torture. All the women I spoke with relayed accounts of multiple rape, and sexual abuse; defected military men confessed to carrying out these appalling crimes.
We filmed the meetings and put together a short documentary, Ogaden: Ethiopia’s Hidden Shame. Most people have never heard of the region and know nothing of what is happening there.
The purpose of the film is to raise awareness, of what human rights groups describe as a genocidal campaign, and to put pressure on the primary donors – America, Britain and the European Union. Countries that collectively give around half of Ethiopia’s federal budget in various aid packages, and whose neglect and indifference amounts to complicity.
The film records the distressing stories of three extraordinary young women, Anab, Maryama and Fatuma.